WilliamToney_InMotion_AUTOMAT
June 7, 2025 - June 28, 2025

Opening Reception:
Thursday, June 12th from 6-9pm
Gallery Hours:
Saturdays 12-5pm and by appointment
There is a moment in the swaying, sweltering chaos of the dance floor that seems to stop time. The music swells, enveloping you as the lights trace pathways through a hazy sky. It builds and pulses, seeping into your bones and ears, your very atoms, until the boundaries between bodies and space dissolve, and the individuals become bonded energy. At this instant, the DJ holds as certainly as the collective breath. Through InMotion, William Toney suspends the drop, freezing us in a moment whose textures are uncountable and ephemeral as the pixels that make up each digital print on the gallery walls, as distorted and captivating as the images sealed behind lenses that live within sound, as ineffable as a disrupted projection.
Sitting in the center of the margins, club culture offers an opportunity for both Black and queer communities to exist in unobserved communion. It is individualistic belonging, a freedom you can only find while being held. Sacred. Indescribable. An environment so suffused with sensation that to capture it is impossible, and to depict it is to violate the sanctity that has been gathered like a joyful balm for the bodies who move within. Using the modality of a Black gaze described by Tina Campt, which ‘rejects traditional understandings of spectatorship by refusing to allow its subject to be consumed by viewers,’ William Toney offers us an environment that is suffused by bodies whose presence is magnified by absence and anonymity. Via images, sculptures and sonic installation, we step into the space in their stead, into the stilled frame of a world that never stops moving. In it we can feel the peace that arrives amidst chaos, and consider the sanctity of a space that is meant to be felt in a world that seems so often to stare. The work allows us to exist both within and apart from the culture that is placed before us. To be of and other. To be in the beautiful otherwise. InMotion is a chance to step into and away. To shake off the constant policing inherent in being a mistrusted body and just be, for a moment, in a moment, of a moment. To feel the deep breath that fills our lungs and holds.








William Toney is a lens-based artist currently living and working in Philadelphia, PA. He earned a B.F.A. in photography from the University of Missouri–Columbia in 2012 and an M.F.A. from Tyler School of Art and Architecture at Temple University in Philadelphia, Pennsylvania, in 2024. William Toney has exhibited his artwork nationally, and he has also had solo exhibitions of his work at the UMKC Gallery of Art and HAW Contemporary (both based in Kansas City, Missouri). William Toney has been the recipient of several artist residencies and fellowships, including the Charlotte Street Studio Residency in 2020.
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Artist Statement
My work explores the abstractions that underlie modes of Black cultural production. Engaging with ideas of Utopia, Opacity, and Afrofuturism, my practice interacts with concepts and communities across time, always seeking to deconstruct the notion of a singular Black experience. I challenge monolithic definitions of Blackness by examining histories and countercultural efforts to collectively actualize alternative ways of becoming.
Through photography, sculpture, video, and installation, I explore interactions across differences. Utilizing various media—such as sampled or found video footage—and materials imbued with cultural specificity, I create works that serve as viewfinders into other worlds. Central to my practice is the question of what it means to be human in contemporary society. By drawing forward imaginings of the future, my work continues to engage with liberation as an ongoing framework for exploration and transformation.